Editorial
We live in an age of scandal. Hardly any event unfolds without being swept by waves of petitions, open letters, and boycotts. It may be a hopeless task to list them all, but what follows is a non-exhaustive catalogue, for the record and in lieu of a year-end review, of 2024’s film-related scandals. At Cannes,...
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Vol. 151 (January 2025)
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
Mircea Daneliuc, born in 1943, was one of the few Romanian filmmakers resisting the Communist system. Films like Microfone Test (1980) or The Cruise (1981) did not pass censorship for their ridiculing critique...
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
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