Editorial
When Albert Serra’s Pacifiction was selected to compete for the main prize at the Cannes Film Festival in May 2022, the director told Reverse Shot: “What you write needs to help you attract money. Funding. Whether or not you’ll end up following the script is beside the point. In my case, I never really use...Continue Reading{{catlist}}
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
Mircea Daneliuc, born in 1943, was one of the few Romanian filmmakers resisting the Communist system. Films like Microfone Test (1980) or The Cruise (1981) did not pass censorship for their ridiculing critique...
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
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