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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Nebojša Slijepčević’s Srbenka (2018)

Vol. 95 (May 2019) by Konstanty Kuzma
This documentary follows the staging of a Croatian theater play that reflects on the sad legacy of ethnic strife.
Review

Agnieszka Smoczyńska’s Fugue (Fuga, 2018)

Vol. 95 (May 2019) by Isabel Jacobs
Agnieszka Smoczyńska returns with a drama about a woman who lost her identity and the memories of her prior life.
Review

Andrei Kutsila’s Strip and War (2019)

Vol. 94 (April 2019) by Alice Heneghan
This documentary paints a double portrait of a young man and his grandfather and the divergent ways they put their uniforms to use.
Review

Aibeck Daiyrbekov’s The Song of the Tree (Darak yry, 2018)

Vol. 94 (April 2019) by Alice Heneghan
This historic film introduces musicals into Kyrgyz film culture.
Review

Alisa Pavlovskaya’s Gogol Doc (Gogol Dok, 2018)

Vol. 94 (April 2019) by Daniel Fuller
Gogol Doc blesses the audience with a fly-on-the-wall view into the genesis of a 2016 Ukrainian avant-garde festival.
Review

Filip Remunda’s The Okamura Brothers (Český žurnál: Bratři Okamurovi, 2019)

Vol. 94 (April 2019) by Anastasia Eleftheriou
This creative documentary portrays three brothers from Czechia's public sphere.
Review

Ondřej Šálek’s Good News (Dobré zprávy, 2019)

Vol. 94 (April 2019) by Anastasia Eleftheriou
In searching for the human face of a rightwing conspiracy theorist, this documentary risks contributing to the normalization of extremist views.
Review

Paweł Ziemilski’s In Touch (2018)

Vol. 94 (April 2019) by Zoe Aiano
How do you make sense of a loved one’s daily life in a parallel universe?
Review

Teona Strugar Mitevska’s God Exists, Her Name Is Petrunya (Gospod postoi, imeto i’ e Petrunija, 2019)

Vol. 93 (March 2019) by Zoe Aiano
A woman's spontaneous participation and triumph in an all-male Epiphany event spells trouble.
Review

Alexander Gorchilin’s Acid (Kislota, 2018)

Vol. 93 (March 2019) by Konstanty Kuzma
Hamlet makes several cameos in Alexander Gorchilin's frustrating if highly aestheticized debut about Gen Yer aimlessness.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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