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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE
Review

Tereza Nvotová’s The Lust for Power (Mečiar, 2017)

Vol. 79 (November 2017) by Zoe Aiano
Tereza Nvotová opens up a subjectivist perspective on Slovak politics.
Review

Tetiana Khodakivska and Oleksandr Stekolenko’s Enticing, Sugary, Boundless or Songs and Dances about Death (Manliviy, solodkiy, bez mezh ili písní í tantsí pro smert, 2017)

Vol. 79 (November 2017) by Zoe Aiano
Tetiana Khodakivska and Oleksandr Stekolenko’s film is an unequal trilogy on the theme of death.
Review

Metodi Andonov’s The Goat Horn (Koziyat rog, 1972)

Vol. 78 (October 2017) by Yoana Pavlova
What does this Bulgarian classic have to offer beyond its shock aesthetics?
Review

Petr Václav’s Skokan (2017)

Vol. 77 (September 2017) by Colette de Castro
Petr Václav pulls his favorite actor out of jail and into a story of anarchy and adventure.
Review

György Kristóf’s Out (Vychladnutie, 2017)

Vol. 77 (September 2017) by Zoe Aiano
György Kristóf's debut gets tangled up in clicheed depictions of the Wild East.
Review

Bojana Burnać’s My Life Without Air (Moj život bez zraka, 2017)

Vol. 77 (September 2017) by Konstanty Kuzma
Bojana Burnać dives into free diving, an extreme underwater sport.
Review

Valeska Grisebach’s Western (2017)

Vol. 76 (Summer 2017) by Zoe Aiano
Valeska Grisebach challenges classic East-West cultural imperialist hierarchy.
Review

Václav Kadrnka’s Little Crusader (Křižáček, 2017)

Vol. 76 (Summer 2017) by Zoe Aiano
Václav Kadrnka’s crafty feature is a visual meditation on the Crusades.
Review

Krzysztof Krauze and Joanna Kos-Krauze’s Birds Are Singing in Kigali (Ptaki śpiewają w Kigali, 2017)

Vol. 76 (Summer 2017) by Zoe Aiano
In their last joint project, directing duo Joanna Kos-Krauze and Krzysztof Krauze return to the Rwandan genocide against the backdrop of the current rise of the right.
Review

Paweł Łoziński’s You Have No Idea How Much I Love You (Nawet nie wiesz jak bardzo Cię kocham, 2016)

Vol. 76 (Summer 2017) by Zoe Aiano
Paweł Łoziński’s latest documentary creeps towards the edge of cinematic minimalism: three cameras remain firmly fixed on three characters in dialog in a room.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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