Sergei Loznitsa’s Blockade (Blokada, 2006)

Vol. 17 (May 2012) by Konstanty Kuzma
Konstanty Kuzma saw Sergei Loznitsa’s documentary on the Siege of Leningrad.

Sergei Loznitsa’s Segodnya My Postroim Dom (1996), Zhizn, Osen (1998), Polustanok (2000)

Vol. 16 (April 2012) by Moritz Pfeifer
Moritz Pfeifer discusses Sergei Loznitsa’s first three films.

Bojan Vuletić’s A Practical Guide to Belgrade with Singing and Crying (Prakticni vodic kroz Beograd sa pevanjem i plakanjem, 2011)

Vol. 16 (April 2012) by Moritz Pfeifer
Vuletić's episodic comedy is wrapped as a tourist guide for Belgrade, but seems to be more useful to Serbs than to foreigners.

Srđan Keča’s A Letter to Dad (Pismo ocu, 2011)

Vol. 16 (April 2012) by Moritz Pfeifer
Serbian director Srđan Keča writes a letter to his deceased father.

Agnieszka Holland’s In Darkness (W ciemności, 2011)

Vol. 16 (April 2012) by Konstanty Kuzma
In her new film, Agnieszka Holland recounts the true story of Leopold "Poldek" Socha, a sewage worker who rescued Jewish refugees from the Nazis.

Radu Jude’s Everybody in Our Family (Toata lumea din familia noastra, 2012)

Vol. 16 (April 2012) by Alina Popescu
Radu Jude's second feature takes a disturbing look at family life.

Tomáš Luňák’s Alois Nebel (2011)

Vol. 16 (April 2012) by Colette de Castro
In Tomáš Luňák's animated film, a train dispatcher gets involved in an affair dating back to the end of the second World War.

J. Scheljabuschski’s Katok (1927), M. Benderskaja’s Prikljutschenija kitajtschat (1928), N. Chodatajew’s Budem sorki (1927), L. Amalrik and I. Iwanow-Wano’s Blek end uait (1932)

Vol. 15 (March 2012) by Patricia Bass
Patricia Bass discusses four Soviet animated films from the late 1920s and early 1930s that were screened during this year's Berlinale retrospective.

Sinisa Dragin’s Everyday God Kisses Us on the Mouth (În fiecare zi Dumnezeu ne saruta pe gura, 2001)

Vol. 15 (March 2012) by Alina Popescu
Alina Popescu revisits Sinisa Dragin’s fiction debut.

Chantal Akerman’s From the East (D’Est, 1993)

Vol. 15 (March 2012) by Konstanty Kuzma
We saw Chantal Akerman’s 1993 documentary.
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