Editorial
Realism is an odd category for cinema. During the silent and early sound eras of the 1920s and 1930s, cultural critic Ilya Ehrenburg used the term “dream factory” to describe, not without cynicism, how film studios applied industrial methods to manufacture human fantasy and emotion. The phrase crossed into the American lexicon through fan magazines...Continue Reading{{catlist}}
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
Mircea Daneliuc, born in 1943, was one of the few Romanian filmmakers resisting the Communist system. Films like Microfone Test (1980) or The Cruise (1981) did not pass censorship for their ridiculing critique...
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
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