Editorial
In 1474, a scribe named Filippo de Strata wrote a polemic to the Doge of Venice, Nicolò Marcello, asking him to remove the newly installed printing presses in the city. He referred to print as “the plague which is doing away with the laws of all decency.” Filippo attributed moral decline to the literature emerging...
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Vol. 153 (March 2025)
In his essay on the Polaroids of Andrei Tarkovsky, Gawan Fagard draws parallels between the ontology of the medium and the work of the Russian director.
Mircea Daneliuc, born in 1943, was one of the few Romanian filmmakers resisting the Communist system. Films like Microfone Test (1980) or The Cruise (1981) did not pass censorship for their ridiculing critique...
Daniel Fuller looks at the way a Ukrainian computer game transfigured folkloric processes of remembering, drawing parallels to Andrei Tarkovsky’s Stalker.
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