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Perspectives
Retrospectives
Interviews
Festivals
Special Issues
ARCHIVE
Search
East European Film Bulletin -
  • Perspectives
  • Retrospectives
  • Interviews
  • Festivals
  • Special Issues
  • ARCHIVE

Perspectives
The latest in Central, Eastern and South-Eastern European cinema.

Review

Krzysztof Krauze and Joanna Kos-Krauze’s Birds Are Singing in Kigali (Ptaki śpiewają w Kigali, 2017)

Vol. 76 (Summer 2017) by Zoe Aiano
In their last joint project, directing duo Joanna Kos-Krauze and Krzysztof Krauze return to the Rwandan genocide against the backdrop of the current rise of the right.
Review

Paweł Łoziński’s You Have No Idea How Much I Love You (Nawet nie wiesz jak bardzo Cię kocham, 2016)

Vol. 76 (Summer 2017) by Zoe Aiano
Paweł Łoziński’s latest documentary creeps towards the edge of cinematic minimalism: three cameras remain firmly fixed on three characters in dialog in a room.
Review

Andrei Dăscălescu’s Planet Petrila (Planeta Petrila, 2017)

Vol. 76 (Summer 2017) by Zoe Aiano
Following events in a Romanian mining town, Planet Petrila charts the struggles of the local inhabitants as they attempt to save industrial buildings from destruction.
Review

Šarūnas Bartas’ Frost (2017)

Vol. 76 (Summer 2017) by Zoe Aiano
Šarūnas Bartas addresses the Ukrainian elephant in the room by thematically picking up the country’s ongoing, political crisis.
Review

Dmytro Moyseyev’s Chrysanthemum’s Time (Chas khrizantem, 2017)

Vol. 76 (Summer 2017) by Zoe Aiano
A recent widow roams through Kiev to re-negotiate her place in the world.
Review

Štěpán Altrichter’s Schmitke (2014)

Vol. 75 (May 2017) by Konstanty Kuzma
Konstanty Kuzma asks what drives young directors to the home of their parents to make films.
Review

Robert Kirchhoff’s A Hole in the Head (2016)

Vol. 75 (May 2017) by Jack Page
Kirchhoff’s documentary essay about the Romani holocaust stresses the right to resist the erasure of traumatic artifacts.
Review

Kristina Grozeva and Petar Valchanov’s Glory (Slava, 2016)

Vol. 75 (May 2017) by Moritz Pfeifer
Kristina Grozeva and Petar Valchanov's second feature is a technically flawless bleak comedy about an ordinary man's descent to hell.
Review

Kristýna Bartošová’s The Dangerous World of Doctor Doleček (Nebezpečný svět Rajka Dolečka, 2015)

Vol. 75 (May 2017) by Konstanty Kuzma
A director whose extended family fell victim to the Srebrenica massacre decides to make a film about one of its most prominent deniers.
Review

Adéla Komrzý’s Teaching War (Výchova k válce, 2016)

Vol. 74 (April 2017) by Rohan Crickmar
A supremely assured attack on the right-wing patriotic militarism that is rearing its head in the Czech Republic, as with many other countries in Central Europe.
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The East European Film Bulletin is a journalistic and literary project dedicated to the criticism of films related to Central, Eastern and South-Eastern Europe.

ISSN 1775-3635

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